1. Color Mode: did you convert to CYMK?
2. Resolution: are images at least 300 dpi?
3. Fonts: did you outline (Illustrator) or rasterize (Photoshop) all fonts?
4. Bleed: did you add at least .125" bleed around artwork?
What file format should I save and send my file?
What resolution should my artwork be in?
What is a "BLEED", and how do I set it up?
How should we prepare booklet files?
What color mode should my artwork be in?
Printing BLACK - Special Considerations
Printing BLUES - Special Considerations
Setting up SPOT UV files
Recommended: Save as a .PDFWe prefer that you send .PDF and/or .EPS files with outlined fonts. These files are easier to handle and will likely speed up your turn-around.
Other Acceptable Formats: jpg, jpeg, tif, tiff, eps, ai, and png
When exporting a PDF from programs such as Indesign or Illustrator, use these settings to make sure your .PDF files export correctly.
- Adobe PDF Preset is set to: Press Quality
- Compatibility is set to: Acrobat 7
- If using Adobe Illustrator, save files as "Illustrator Default"
What resolution should my artwork be in?
We only formally accept and print artwork that is at least 300 DPI. However, it is possible that a lower resolution file may be printed as is or will be placed on hold until we receive new files, slowing your turn-around.What is a "BLEED", and how do I set it up?
Remember: images for the web or taken from the web are usually in 72 DPI resolution and will not print well. You must make sure that you are using a 'high resolution' image of at least 300 DPI.
We require a bleed for most products that we print. Bleed is the term for printing that goes right to the edge of the paper, with no 'white' around the edges. To make sure your image 'bleeds' all the way to the edge of the paper, you MUST design your job slightly LARGER than the final cut size. This will ensure that when we cut it, all color extends to the edges.
To create a bleed, create your document .125" larger on all four sides. That means that all images, boxes, and color will extend past the edge of your final printed document.
For example, artwork for a 4" x 6" postcard should be submitted as 4.25" x 6.25" - which is .125" (1/8") larger on each side. If you do not want any white on your edges, all color should extend to the bleed line.
Visual demonstration below:
How do I prepare my FONTS for print?
NOTE: larger format printing such as Banners, Canvas, Posters, Signs, Flags, etc. may require more than .125" bleed. We encourage at least 1" bleed for these larger items. In the case of Mounted Canvas prints you will need 2" bleed, so your image will properly wrap around the the sides/back of your canvas print. Each product specifies in the product details what bleed is required.
Fonts need special treatment in your document. Why? We may not 'own' all the fonts you might use. To prevent any issues, follow the instructions below for the appropriate software you are using. Remember, after you outline or rasterize a font, you can no longer edit it, so this should be your final step before sending to print.
TIP: make a copy of all text layers and first, then hide that layer when sending to print. That way you can come back later and edit text if needed:
Illustrator / InDesign: Select all text boxes in your file and choose: Type > Create Outlines
Photoshop: Select all text boxes in your file and choose: Layer > Rasterize > Type
How should I prepare booklet files?
After you finish the layout for your Booklets, it's best to export the pages as individual PDF files (i.e. a 12 page booklet should have 12 files). Remember: just one folded sheet of paper actually creates a 4-page booklet (Front Cover, Front Inside, Back Inside, Back Cover). So, the minimum Booklet order is an "8-page Booklet" which would actually be (2) sheets of paper folded in half and stitched (stapled) in the center. Please take the page count into consideration when ordering.
Save and send your files as CMYK. You should always start and finish your print designs in CMYK color mode.
RGB formats are best for web, not print. If you send us an RGB file, its likely that a color shift will occur in print and you may not be satisfied with your job.
Printing BLACK - Special Considerations:
All black is NOT black. You need to use RICH BLACK to get a deep, dark, rich black on your final product. Rich black is an ink mixture of solid black, 100% K, with additional CMY ink values. This results in a darker tone than black ink alone. If you print black alone as 100% K, the resulting black may not be as dark as you might like.
We recommend using: C 60 M 40 Y 40 K 100
Printing BLUES - Special Considerations:
When using a blue in your design, always make sure to leave at least a 30% difference in your Cyan and Magenta values.
EXAMPLE: 100% C 70% M 0% Y 0% K
Blue is close to purple in the CMYK spectrum. Remember, use a low amount of magenta whenever using high amounts of cyan to avoid purple.
EXAMPLE: C-100 M-70 Y-0 K-0
When creating a Spot UV job, You must include a Spot UV template file along with the regular full color file. The Spot UV template file is used to show where the UV will be placed. For example, for a Business Card that will have SPOT UV and FULL COLOR printing on BOTH Sides, you should upload the following:
On the SPOT UV file ONLY, use 100% K to indicate where you would like the UV. White will indicate no UV. NOTHING else should be in the SPOT UV detail file except the SPOTS that you want UV VARNISH applied.